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Showing posts with label Sleeves. Show all posts
Showing posts with label Sleeves. Show all posts

More tattoos from Nikko Hurtado at Black Anchor in So Cal


The owner of Sullens sleeve. I still have a couple more passes and touch ups but here it is before I worked on it yesterday.





 
See more at www.nikkohurtado.com

More tattoos from Nikko Hurtado at Black Anchor in So Cal


The owner of Sullens sleeve. I still have a couple more passes and touch ups but here it is before I worked on it yesterday.





 
See more at www.nikkohurtado.com

John's Root People

At the end of July, I coincidentally exited the A train at 14th Street at the same time as John, who was visiting from Nevada.

I had been admiring his sleeve on the train, but didn't have the opportunity to speak to him about it until after he got off the subway.

He referred to these creatures as "Root People":


It's an abstract collaboration with the artist, Rickett, at The Ruby Lantern in Carson City, Nevada.


They started working together in January of this year, and they're not yet finished with the whole sleeve. As you can tell, it's very unusual and has a very unique approach.


These designs are all on John's right arm, and I am particular to the female tree person above on his inner forearm.


Thanks to John for sharing his Root People here with us on Tattoosday!

Josh Slices Up a Sturgeon on His Culinary Sleeve























At the beginning of the week, I ran into Josh, a chef at an upscale restaurant in Tribeca. He was actually showing his tattoos to a couple of people standing with him, so I felt in apropos to join in the conversation.

Josh is hard at work on a culinary sleeve on his left arm, which includes a langoustine, a Red Junglefowl, and the tattoo above, a sturgeon, complete with slicing knife and roe.

The tattoo, as well as his other work, was done by Mark Harada at East Side Ink in Manhattan.

Thanks to Josh for sharing his sturgeon with us here on Tattoosday. Here's hoping he'll return to show us more. The Red Junglefowl was not completed, otherwise I would have asked to feature that piece here. It's a sweet piece (you can see a fragment of claw above the sturgeon).

Jones Beach: Heaven and Hell, Alice Cooper, Queensryche

On Saturday, September 8, I saw Heaven and Hell, with Queensryche and Alice Cooper at Jones Beach. Like Ozzfest, there were tattoos everywhere. Like Ozzfest, asking people about their tattoos seemed to be inappropriate, dangerous (at times), and the epitome of dorkiness, especially since Tattoosday hadn't officially spun off yet.

Like Ozzfest, the best I can do is offer candids, although I did get a great shot of one of my favorite's from the show.

Here's a flaming skull on the forearm of an Alice Cooper fan:


I wish I could have got this one, front and back, but no such luck:

Here's a bit of a blurry sleeve:


Although I couldn't read the words during the show, I loved the symmetry of this piece:

I like the script and the hourglass shape that molds perfectly between the shoulder blades. Even better, when I got home and used my photo editor, I was able to isolate the text and read what was so inspiring as to get someone to ink into their back:


Ah, the bard! Not every day dost thou espy a Shakespearean tattoo:

Life's but a walking shadow; a poor player,
That struts and frets his hour upon the stage,
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing." --From Macbeth (V, v, 19)

Basically, that's all I was able to get at the show. However, the Macbeth tattoo made it all worth it. I have no other concerts on the horizon, so that may be it for a while from the live music venues.