Yakuza Japanese Tattoo Style in Greenpeace ad

Greenpeace commissioned these print ads to depict richly decorated tattoos on Japanese men. Look closely and you’ll see whales being butchered by the different characters.

The tagline for these images are “Not all traditions deserve to be preserved. Put an end to whaling in Japan.”

Via I Believe in Advertising

Yakuza Japanese Tattoo Style in Greenpeace ad

Greenpeace commissioned these print ads to depict richly decorated tattoos on Japanese men. Look closely and you’ll see whales being butchered by the different characters.

The tagline for these images are “Not all traditions deserve to be preserved. Put an end to whaling in Japan.”

Via I Believe in Advertising

Yakuza Japanese Tattoo Style in Greenpeace ad

Greenpeace commissioned these print ads to depict richly decorated tattoos on Japanese men. Look closely and you’ll see whales being butchered by the different characters.

The tagline for these images are “Not all traditions deserve to be preserved. Put an end to whaling in Japan.”

Via I Believe in Advertising

Tattoorism: Sean's Leg Piece Represents His Transformation from Child to Adult

This installment of Tattoorism comes from Sean, a reader who offered up his leg piece for our viewing pleasure. The detail above is my favorite aspect of the tattoo, which wraps around Sean's entire left leg.

In Sean's words:

"...Even though this was done in about 4 or 5 sessions, I could not describe this in any other way except as one big tattoo. Each piece works together with each other.

I consider this my growth-themed tattoo. I started the tattoo, at the age of 18, right before I graduated from high school and finished it right before entering my first year of college, a period of immense growth in my opinion. As long as I can remember, I have been drawn to Asian artwork, so at an extremely basic level this tattoo is just extremely aesthetically pleasing to me, but there is also deeper meaning.

From the Japanese folklore I have heard, koi fish are said to grow into dragons.

That was the basic premise of my tattoo, maturing from childhood to adulthood. I decided to have the koi swimming upwards to portray the different struggles experienced in this growth. The dragon has always been such a powerful image to me and a great symbol of courage and strength, two qualities I constantly strive to achieve and portray myself.

There are also two other major images in this tattoo, the pagoda and the lotus flower.

The lotus is another symbol of "growth." I always loved the idea that a lotus begins its life in murky, dark, ugly waters, but eventually grows to become a beautiful flower despite its surroundings. It's a reminder that no matter how hard things get in life, I can make it through those times and blossom as a better person.

Finally, the personal symbolism I hold for the pagoda is a house of knowledge and discipline. I hoped to achieve, and believe I have, a great amount of knowledge and discipline through my years in college and during the growth from childhood to adulthood in general.

The tattoo was done by Mike Schweigert @ Electric Tattoo in Bradley Beach, NJ.

Thanks to Sean for sharing this amazing leg piece with us here on Tattoosday!

Sean recognized that our "posts kind of drop off, completely understandably, during the colder months." Not only did he help us with content on an ink-less day, regular readers will recognize that I generally don't run sleeves, or wrap-around tattoos, on the blog, as their characteristics make them very difficult to adequately display in their full glory. It's tough to capture them fully when on the street. So a double thanks to Sean for not only sending us an elaborate leg piece, but providing a well-written synopsis of the personal meaning behind the elements in the design!

Tattoos I Know: Paul, Part 3, or, The Great Cover-Up of 2008

Earlier this year, I featured the first tattoo belonging to Paul, a co-worker and friend. Later on, he showed me his sleeve (here).

I am just getting around to show you his new work in progress, a cover-up of a tattoo on his right bicep, located above the first one of his that I featured here.

This isn't completed, but it does display a stage of the work that is interesting. Documenting it now will make it more interesting when the piece is completed.


That's an om symbol at the top of the piece. The basic design is a traditional Japanese half-sleeve. The work is done by Horisei at Chelsea Tattoo Company. Horisei inked my friend Rob's traditional Japanese tattoos (here).


Thanks again to Paul for sharing his work in progress here at Tattoosday. We're looking forward to seeing the final work in 2009!

John's Koi: Then and Now

It was only a matter of time.

I wondered when, just buy the nature of my talking to so many tattooed people, I would approach someone about Tattoosday, having already featured them on the blog.

The answer: seven months.

Here's an excerpt from October 2007:



Does that look familiar? I wrote in October 2007:

The first piece is a classic koi tattoo, done on the front of the calf. There is a dragon on the back of the leg but it is not finished yet, as color still needs to be added.

The host, John, is from the Bay Ridge area and had his koi inked at Body Art Studios on 3rd Avenue. We know the artist, Peter Cavorsi, who also runs the shop, because he is responsible for one of mine and three of my wife's pieces. I strongly recommend his shop if you live in southwest Brooklyn. His shop is clean and he does very nice work, as you can see from John's koi.

Koi are a traditional part of Japanese tattoo, and are very common subjects n body art because they represent good fortune. Despite their being regular subjects, they seldom are ever one in the same. Like snowflakes, they tend to differ from body to body, and unlike tribal pieces, I don't think I could ever get bored of koi tattoos.

John estimated that this large leg piece, including the dragon on the back of the leg, not pictured and not yet colored, took 13 hours so far. A lot of people don't realize how much time goes into elaborate pieces like these. On shows like Miami Ink, a ten-hour project can be compressed to five minutes of screen time.

Well, last Sunday, I saw the finished work, not realizing that John had been here previously. I handed him a flier at the grocery store, and he reminded me who he was. He was busy with groceries, but he promised me he'd send photos of the finished work. He estimates that Peter had spent an additional nine hours on the piece since October, making it about 22 hours in total.

That's one thing about the whole "_____ Ink" television experience, the work is edited down so much that many people don't realize how much effort goes into the large quality pieces.

And of course, John came through with these updated shots:





Thanks to John for sharing his finished leg piece with us! Stay tuned!! He also sent me photos of his other tattoos, which will be featured in a later post.