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Showing posts with label Album Covers. Show all posts
Showing posts with label Album Covers. Show all posts

Two Rocking Tattoos from Joe

I met Joe last month outside of Penn Station and he shared two tattoos with us.

First is this hellcat:


Why this cat? It's a design, Joe says, inspired by the band Rancid, whose music appears on Hellcat Records.

Not to mention, he likes cats. Need he have more reasons? That's on his upper left arm.

I'm more excited to share this photo, which actually is a rare Tattoosday shot in which one can see the contributor's face. I could have cropped it out, but I think it's a cool shot.


This tattoo arose out of Joe's desire to have some body art made with red ink. The design is based on the album art for a disbanded musical act out of Washington called Isa.


The two tattoos are among five Joe has in total and were done by Milton Sillas at Tattoo Royale in the Pacific Beach section of  San Diego, California.

Thanks to Joe for sharing his ink with us here on Tattoosday and for waiting so patiently for me to get to his tattoos. The summer backlog is both a bane and a blessing.

As a postscript, readers familiar with the site will notice that I've watermarked these photos. I've grown tired of seeing Tattoosday content appropriated elsewhere on the web, without attribution. This is an attempt to maintain credit of our content here at Tattoosday.

Two Rocking Tattoos from Joe

I met Joe last month outside of Penn Station and he shared two tattoos with us.



First is this hellcat:





Why this cat? It's a design, Joe says, inspired by the band Rancid, whose music appears on Hellcat Records.



Not to mention, he likes cats. Need he have more reasons? That's on his upper left arm.



I'm more excited to share this photo, which actually is a rare Tattoosday shot in which one can see the contributor's face. I could have cropped it out, but I think it's a cool shot.





This tattoo arose out of Joe's desire to have some body art made with red ink. The design is based on the album art for a disbanded musical act out of Washington called Isa.





The two tattoos are among five Joe has in total and were done by Milton Sillas at Tattoo Royale in the Pacific Beach section of  San Diego, California.



Thanks to Joe for sharing his ink with us here on Tattoosday and for waiting so patiently for me to get to his tattoos. The summer backlog is both a bane and a blessing.



As a postscript, readers familiar with the site will notice that I've watermarked these photos. I've grown tired of seeing Tattoosday content appropriated elsewhere on the web, without attribution. This is an attempt to maintain credit of our content here at Tattoosday.

Two Rocking Tattoos from Joe

I met Joe last month outside of Penn Station and he shared two tattoos with us.



First is this hellcat:





Why this cat? It's a design, Joe says, inspired by the band Rancid, whose music appears on Hellcat Records.



Not to mention, he likes cats. Need he have more reasons? That's on his upper left arm.



I'm more excited to share this photo, which actually is a rare Tattoosday shot in which one can see the contributor's face. I could have cropped it out, but I think it's a cool shot.





This tattoo arose out of Joe's desire to have some body art made with red ink. The design is based on the album art for a disbanded musical act out of Washington called Isa.





The two tattoos are among five Joe has in total and were done by Milton Sillas at Tattoo Royale in the Pacific Beach section of  San Diego, California.



Thanks to Joe for sharing his ink with us here on Tattoosday and for waiting so patiently for me to get to his tattoos. The summer backlog is both a bane and a blessing.



As a postscript, readers familiar with the site will notice that I've watermarked these photos. I've grown tired of seeing Tattoosday content appropriated elsewhere on the web, without attribution. This is an attempt to maintain credit of our content here at Tattoosday.

Two Rocking Tattoos from Joe

I met Joe last month outside of Penn Station and he shared two tattoos with us.



First is this hellcat:





Why this cat? It's a design, Joe says, inspired by the band Rancid, whose music appears on Hellcat Records.



Not to mention, he likes cats. Need he have more reasons? That's on his upper left arm.



I'm more excited to share this photo, which actually is a rare Tattoosday shot in which one can see the contributor's face. I could have cropped it out, but I think it's a cool shot.





This tattoo arose out of Joe's desire to have some body art made with red ink. The design is based on the album art for a disbanded musical act out of Washington called Isa.





The two tattoos are among five Joe has in total and were done by Milton Sillas at Tattoo Royale in the Pacific Beach section of  San Diego, California.



Thanks to Joe for sharing his ink with us here on Tattoosday and for waiting so patiently for me to get to his tattoos. The summer backlog is both a bane and a blessing.



As a postscript, readers familiar with the site will notice that I've watermarked these photos. I've grown tired of seeing Tattoosday content appropriated elsewhere on the web, without attribution. This is an attempt to maintain credit of our content here at Tattoosday.

Sal Shares His Illusion-ary Tattoo


On Tuesday I was in Brooklyn Heights, walking toward Cadman Plaza on Clark Street. As I passed a local video store, Mr. Video III, I spotted some ink on one of the employees and decided to head in and introduce myself.

Sal has seven tattoos, but he chose to share the one above, from his left bicep.

This is, of course, recognizable to anyone who is a rock fan, as the artwork gracing the cover of the 1991 Guns N' Roses album Use Your Illusion I. A G n' R tattoo appeared on Tattoosday previously here.

Sal had this inked because the album was released at a point in his life, when he was a senior in high school, when most people are most impressionable and affected by massive displays of musical force. The album, and by extension, the tattoo, was something he could cling to, a great avenue by which he could "express his rage".

With G n' R classics like "Right Next Door to Hell," "Don't Cry," "Back Off Bitch," and the Wings cover "Live and Let Die," the album is a tour de force of hard rock angst.

Sal also acknowledges that he, like many others who were fans of the band, developed a greater appreciation of classical art, as the image form the record (and its companion, Use Your Illusion II) are based on a detail in the Italian Renaissance painter Raphael's , The School of Athens:


Or, the detail used:


Sal says that this piece was inked around 1994 by an artist named Jason, who worked with the studio of the late great Huggy-Bear Ferris in Park Slope. Work from Huggy-Bear has appeared here previously on Tattoosday.

Thanks to Sal for sharing his tattoo here on Tattoosday. As I will be passing by Mr. Video III on a more regular basis in the future, I hope that Sal would share more of his tattoos with us in the future!

Appe-tattoo for Destruction

Sorry. I couldn't resist.

Spotted this very well-done piece honoring what many consider one of the greatest hard rock albums of all time, Guns N' Roses Appetite for Destruction.


Edward didn't mind stopping in front of Madison Square Garden and sharing his tattoo that was inked three years ago at Omega Tattoos in Queens.

This is Edward's only tattoo. Thanks to him for sharing it with the rest of us here at Tattoosday!

Matt's Aubrey Beardsley Tattoo (Salome for the 21st Century)


I spotted this tattoo on the inner forearm of Matt, on April 26, 2008.

I was just about to leave St. Mark's Church in the Bowery, a church that is a landmark edifice, both architecturally and culturally, on the Lower East Side of Manhattan. There had been a poetry reading earlier in the day, a tribute reading to Barbara Guest, who died in 2006. I was packing up my bag to leave the wine and cheese reception when I spotted the ink out of the corner of my eye.

"It's based on an Aubrey Beardsley woodcut," Matt explained, "it's Salome".

Oh, the Dance of the Seven Veils. Matt nodded, but went on to explain that the tattoo was modified a little.

For example, in the original woodcut, Salome is holding the severed head of John the Baptist. I believe this is the Beardsley woodcut to which he was referring:

Matt's friend Kazumi Kikuchi helped revise the sketch to alter the head to a broken heart. He also added the Japanese characters at the top of the piece.

Matt gave credit to the band Daddy for the broken heart image which replaced the severed head. He said that the image was on an album cover of theirs. I was unable to find any art from the album but did find this promo shot, which has the heart image in the lower corner:


This piece was inked at Atomic Ink in Hudson, New York. Matt, who has "4 or 5" tattoos, did not recall the name of the artist.

I thanked Matt for talking with me, but decided to ask one more question. "What's with the heart at the bottom of the piece?"


"Oh," he smiled, "My wife, Laura, did that, with a needle and some India ink". Laura, sitting nearby, piped in, "I have a matching one here," pointing to her right thigh, "but you can't see it." Her jeans prevented an easy peek.

Thanks to Matt for sharing his woodcut tattoo with us!

Candice Explains Her Six Interesting Tattoos

I first met Candice a couple of weeks ago when I spotted some very interesting tattoos on her arms and told her about Tattoosday.

She was on her way back to work from lunch, so she took a flier and said she'd check it out. She e-mailed me later that day and we agreed to meet a week later to talk about her six tattoos. She has three on her right biceps, two on her left, and a chest piece.

Candice works for a New York-based non-profit hunger organization, and gets to travel a bit. I discovered, as she went through her tattoos chronologically, that she collected tattoos in various cities across the country.

Her right arm has three pieces:

The one on the top right is her first:

This was inked in August 2003 when she was 19 at Distinction TA2 in Sunset Park, Brooklyn. She thinks the artist’s name was Carlos, but doesn’t remember for sure.

Since the age of 10, Candice has been fascinated by Iceland. She pointed out her ancestry is Sicilian, not Icelandic. Nonetheless, she has always loved Iceland. Thus, her first tattoo was the Icelandic crest, which graces the backs of most coins, or kroná, in the country.

The four quadrants each represent one of the four mythical Guardians of Iceland, each in turn representing the North, South, East and West sections of the country. This myth is central to Icelandic culture (read more here).

Clockwise from the upper left, there is an eagle, a dragon, a mountain giant, and a bull. Candice has a special affinity for the bull as her astrological sign is Taurus.

Her second piece was inked in August 2004 at the same shop in Sunset Park by Rob. The person who did her coin had subsequently left the shop:

Aside from liking birds, the piece's design history came courtesy of her boyfriend at the time (they have since broken up but remain friends). He found the bird image in a textbook and duplicated and customized it into a larger collage. At a time, she thought about using it as a back piece, but they pared it down to fit on her biceps. She's not sure what type of bird it is, but it remains one of her favorite pieces. I love the inverted imagery, which recalls a bit of yin-yang correlation.

Her third tattoo is a very basic, rudimentary design. Flipping back to her left arm, Candice explained that it represents a medieval watermark of a crossbow:

At first, I wasn't very impressed by it. Then I got the story. She was visiting New Orleans on business, pre-Katrina in March 2005, and it took all of 7 minutes and cost only $25. The piece was inked at Eyecandy Tattoo in New Orleans and, Candice believes that the artist was intoxicated ("I think she was drunk. It was a total New Orleans experience.")

She sensed my surprise at her analysis of the sobriety of the tattooist. Diplomatically, she re-stated, "Well, she was drinking a beer while doing it. She said not to worry, she worked like that a lot." So, let's give the tattooist the benefit of the doubt. Maybe not drunk, but certainly quick.

And why the crossbow watermark?

The crossbow represented a Medieval theme, another subject of interest in Candice’s life.

This watermark design also appears on the cover of the first single by an artist named Jason Molina, performing as Songs:Ohia.

Tattoo #4 was inked in August 2005, her third August tattoo in a row. The design originated after waking up from a dream and immediately drawing the image that had been so prominent in the dream state. She designed the piece, purposely modeling the hands after her own, down to distinctive spots and coloring:

My first impression was that it was a variation on the claddagh ring, with the two hands and the heart in the center of the balloon. Candice was surprised when I mentioned that, but acknowledged the similarities, although she had never considered them before. In fact, to Candice, this tattoo represents one being able to let go of things in life, while at the same time allowing things to come back, as well. In essence, it embodies one’s ability to control one’s own happiness.

When I asked Candice why it was the sole tattoo of hers in color. She simply replied, “Because I dreamt it in color.” Makes perfect sense. I could probably write another page about the apparent influence that The Wizard of Oz had on this tattoo. I say apparent, because the movie never came up when we discussed it. But the theme is applicable, the dreaming in color is similar, and the hot air balloon, which was what transported the wizard to the land of Oz, also makes the case for an homage, conscious or sub-conscious, to the images of L. Frank Baum.

Interesting to note that this piece was inked by Kelly Krantz, formerly of FlyRite Studio in Brooklyn. Kelly’s appeared previously here on a tattoo I spotted just a few blocks away.

Candice’s fifth tattoo was inked in March 2006 while on a trip to San Francisco. I actually didn’t take this photo, which she understandably provided to me. It’s a chest piece that runs vertically from the middle of her chest down to her stomach:

This style of ink is known as a “Sailor Jerry” tattoo, which is basically classic, old-school tattooing. Candice just loved this piece of flash art. This photo was taken about a week after the piece was done at Black & Blue Tattoo, “a woman owned and operated San Francisco tattoo shop”. The fact that it is woman-owned increased the comfort level significantly for Candice, as the inking required much more exposure than she had been used to with her arm tattoos. She also noted that the location on her body created an interesting sensation: both pain and laughter - it tickled and hurt simultaneously! The artist was Natalie Chandler, who is now working out of Oakland.

And finally, her last piece is a line drawing of a structure representing a house:

This image appeared on the cover of an album by the band Modest Mouse called Building Nothing Out of Something.

This piece was inked by Curtis James at Anchor Tattoo in Seattle, in January 2007. Modest Mouse is from the Seattle area and when Candie was visiting her ex-boyfriend, and several other friends, the image from the album seemed apropos, as she felt she was in a home away from home.

Well, I must thank Candice for her active participation in this post. She and I exchanged multiple e-mails, coordinating our schedules so I could snap the pictures, and she made my life easier by doing a lot of the research on her tattoos. Thank you for sharing your ink here at Tattoosday!

Tattoosday Goes to Sweden, or Sweden Comes to Tattoosday

Walking down 7th Avenue on Friday, October 19, I spotted a sleeved arm approaching, Sorry, it was a couple. Man and a woman, young, in their mid to late 20's...(apologies if you are reading this and are younger).

Behold, the guy was game for talking tattoos. In fact, Jörgen Wiklund, visiting from Sweden, was extremely cool and patiently indulged me as I tried to write down names in his native tongue.

Jörgen wasn't sure how many tattoos he had...he guessed around 15 or so. I snapped two. First, since we are in New York City, this seemed apropos:


Jörgen characterized all his tattoos as whimsical, fun, spur of the moment decisions. This is a tattoo representing Dee Dee Ramone, as a duck. He elaborated that his girlfriend had a duck-like haircut and earned the nickname "Ducky," so this piece was a tribute to her.

The Ducky Ramone was inked at Evil Eye Tattoo in Stockholm.

Jörgen also let me take a picture of this interesting piece, which he says is an homage to the musician Roky Erickson:


It took some searching, but this tattoo is based on what I'm guessing is an out-of-print or special edition cover of Roky Erickson and the Aliens CD I Dream of Demons :

When I asked who Roky Erickson was, thinking he was perhaps a Swedish musician, he enlightened me, saying he was from Texas and that he was "the greatest musician that ever lived."

When he asked if I had heard of the 13th Floor Elevators, I said sure (one song on my BilliPod, "You're Gonna Miss Me," from the High Fidelity soundtrack. You can hear the song here, streaming on Erickson's website.

The whole demon motif ties into the storied history of Erickson and his past with drug use, electro-shock therapy, and mental illness.

Jörgen had this tattoo done in his home town of Härnösand, in northern Sweden, at a shop called Paul's Custom Tattooing.

Jörgen was a real treat to meet. He and his girlfriend (who is tattoo-less) are/were in town for a week. I suggested she get her first tattoo in New York to commemorate her trip here. The were both good sports and I want to thank Jörgen and his significant other for their participation in Tattoosday and the contribution of the first international contribution to the blog.

You Must Believe in Spring

I think that what makes Tattoosday successful are all the interesting, unusual, pieces that most people walk by, see, and wonder, "What the heck is that tattoo all about?"

I'm going a little bit out of sequence here, as I still have two sets of tattoos from last week (from Mike and Jörgen) that I am still writing up. This one, however, is a little less work so I am getting it out of the way first. I spotted this on the inner arm of a guy waiting outside of Starbucks at the corner of 92nd and 3rd in Bay Ridge:

It seemed pretty unusual so I stopped and asked him about it. He told me that it was an album cover. "Which one?" I asked. This one:

Clarence, the possessor of the tattoo, had this representational tattoo inked in honor of Bill Evans' 1980 album You Must Believe in Spring.

The piece was tattooed at New York Adorned.

I would have delved further into why this album was so important to him that he had it tattooed onto his arm, but the person he was waiting for came out with his coffee, and his dog started barking at other dogs, so I figured I wouldn't bother him anymore.

Clarence, thank you for your contribution to Tattoosday and, if you'd like, feel free to e-mail me
as to the significance of this record.

Spit On a Stranger

Ever since I started blogging tattoos, I like to carry a folder with printouts and my camera with me, wherever I go.

So on Wednesday night, when I realized I had until midnight to return a video to Blockbuster (Rescue Me, Season 2, Discs 1-3, all unwatched) or face stiff penalties, I dragged my stuff with me, just in case. At that time of night (11:30 PM), I figured opportunities would be slim to none.

Let me clarify, I saw some cool tattoos, but figured it would not necessarily be the best idea to ask bar patrons out of the blue on the street to participate.

Anyway, video returned, happy with just a shot of a new look from The Loneliest Lamp Post in Bay Ridge, I walked past, near the stroke of midnight, a harmless looking gentleman unchaining his bicycle . At first glance, he looked like he had a bicycle tattoo on his right forearm.

Not quite. Instead he had this:


Well, obviously, he agreed to participate in Tattoosday. So, what is this?

Well, the host, named Matt, offered up the following explanation (loosely paraphrased here). The tattoos is based on the cover art for Spit on a Stranger, a 1999 EP by the indie rock band Pavement. Take a look:


Matt is a resident of Williamsburg, but works in Bay Ridge. In retrospect I marvel at his midnight bike commute, although I hope he just rides to the nearest train station. Matt's tattoo was adapted from the Pavement EP, which was one of the band's final records. He says he gets a lot of comments and questions about it, and that people interpret it differently, yet all seem to be in the right ballpark when coming to their own understanding of it. Matt studied political philosophy in school and appreciates the vagueness of the piece, and the fact that it is able to be so widely interpreted by others.

This work was inked at Cherry Bomb Tattoo in Greenpoint, Brooklyn.

Thanks to Matt for talking to me and letting me take a picture so late in the evening.